Robert Ballagh – Bobby was born in Dublin in 1943 and is an Irish artist, painter and designer. Ballagh grew up in a ground-floor flat on Elgin Road in Ballsbridge, the only child of a Presbyterian father and a Catholic mother, both of whom had played sport for Ireland. He became an atheist while being educated at Blackrock College. He was a professional musician with the showband Chessmen before he turned to art full time. He studied at the Bolton Street College of Technology. His painting style was strongly influenced by pop art. He is particularly well known for his hyperealistic renderings of well known Irish literary, historical or establishment figures.
He met artist Michael Farrell during this time, and Farrell recruited him to assist with a large mural commission, which was painted at Ardmore Studios.
Ballagh represented Ireland at the 1969 Biennale de Paris. Among the theatre sets he has designed are sets for Riverdance,I’ll Go On, Gate Theatre (1985), Samuel Beckett’s Endgame (1991) and Oscar Wilde’s Salomé (1998). He has also designed over 70 Irish postage stamps and the last series of Irish banknotes, “Series C”, before the introduction of the euro. He is a member of Aosdána. Ballagh’s paintings are held in several public collections of Irish painting including the National Gallery of Ireland, the Hugh Lane Gallery, the Ulster Museum, Trinity College Dublin, and Nuremberg’s Albrecht Dürer House.
In 1991, he co-ordinated the 75th anniversary commemoration of the 1916 Easter Rising, during which he claimed he had been harassed by the Special Branch of the Garda Síochána.
He is the president of the Ireland Institute for Historical and Cultural Studies, which promotes international republicanism. It is based at the new Pearse centre at 27 Pearse Street, Dublin.
In July 2011 it was reported that he might consider running for the 2011 Irish Presidential election with the backing of Sinn Féin and the United Left Alliance. On July 25th Ballagh ruled out running in the election, saying that he had never considered being a candidate. His discussions with the parties had been about the election “in general” and he had no ambitions to run for political office.
In July 2012, Ballagh said he was “ashamed and profoundly depressed” at the en masse closure of Irish galleries and museums. He cited an example of some Americans and Canadians on holiday in Ireland. “They described most of the National Gallery as being closed along with several rooms in the Hugh Lane Gallery. I’m glad they didn’t bother going out to the Museum of Modern Art in Kilmainham because that’s closed too. At the point I met them, they were returning from Galway where they had found the Nora Barnacle Museum closed too.” Ballagh condemned the hypocrisy of political leaders, saying: “I know arts funding is not a big issue for people struggling to put food on the table but we are talking about the soul of the nation